I found myself at a dinner party last night talking to two very creative men. One who has followed his artistic passion and developed an outstanding career in exterior car design. The other is a physician, whose personal passion lies in music and has submitted several of his songs to Melodifestivalen over the years. The conversation drew me back to my earliest passion and made me question, Where did that little girl go?
From as early as I can remember, I was drawing floor plans. Not just a handful of floor plans, but reams and reams of floor plans. They were stuffed in draws and under the bed. I sat in front of the television drawing floor plans. I drew floor plans on rainy days at the cottage. Floor plans were part of my every day life at a ripe old age of eight or younger. I simply cannot remember. Paper was always needed and well used. I was building floor plans with books for my Barbies to live in, filling the basement floor, always changing the design. At eleven years old, I submitted my first project at school on architecture and started designing corporate building floor plans. In high school, I took drafting, a year-long project that culminated in my first completed house design, model and all and ready for building.
So what happened? I know that rowing dominated my time through my teens and early twenties and satisfied all of those worldly dreams that crept into my life the more I competed. I was hooked. I loved crossing the finish line first. Rowing was an addiction and I couldn’t get enough of it. Yet a little further past the finish line, beyond the stands and well into the forgotten banks down river, if I squinted just so, I could still see my little creative self cheering me on.
She’s still there, a little weathered perhaps from popping out of the reeds for visits over the years, but she’s there.
Through my career in teaching, I’ve always done my best to tap into my creative side in the hope of bringing out those unique nuances that make each student special. Despite the intrinsic rewards of helping to develop others’ creativity, a part of me yearned for more, to be true to that side of me that was born creative. I wanted no boundaries, or at least as few as possible. I wanted the vision that I’d dreamed of as a little architect in the making. I was a designer then. Looking back over the years, I realize I’ve always been one. I just wanted to be fully creative again. But did it have to be in designing buildings?
Our creative selves might manifest in unexpected ways throughout our careers and personal lives, but they need to be honoured and given a chance. It is creating something from nothing that can give us some of the greatest joy in life. Where would this world be without music and art after all? Whatever steers us in another direction, I believe a part of us will always want to find that forgotten or neglected path again. It will nag us until we do something about it. For those who wait until it is too late, I am certain regret is painful. I believe we need to listen to that little person we were once, tugging at our sleeve.
At university, I wrote a children’s book on the side and showed one of my professors. Her words have never escaped me. “You should do something with this one day,” she said. It was her earnest expression that triggered something inside me. She was the first person to validate my writing apart from my high school German teacher who was apparently taken aback when I translated and illustrated The Night Before Christmas for fun. But alas, this story was my design, my creation and there was something remarkable in that realization—that I could write.
I had always enjoyed talking. Anyone who knows me knows this well. Then something grew in the sweet storytelling after I tucked my children in bed at night. I reveled in the stories. They would choose the characters and setting and I would create a story, every night for years, a different story for each of our two children. Soon that rolled into writing down stories on my own then reading those stories to them. Stories were coming out of the woodwork and the kids couldn’t get enough of them. I adore those memories. Now they’ve grown up, young adults in the making.
The designer in me is adjusting to those life changes as I write novels now, creating something again from nothing. Only that nothing is far from empty. I am one of the lucky ones to have grown creatively, even though I couldn’t see it fully at the time. It is through all of these life experiences that I have built a foundation on which to generate new stories. A close-knit family, friends, travel and education have all played a role in keeping that little creative me cheering from the riverbank.
I may not design houses for a living, but I’m finally giving my creative me a voice. I am a writer. I am a storyteller. It took me many years to believe that was true, many, many stories to believe in myself as a writer. I’m thrilled to be nearing the final leg of a new novel, at least the first draft. Honouring the commitment I made to writing this novel is precisely the reason I haven’t posted recently on my blog. At first I felt guilty about that, until I not only saw how much more productive I had become, I felt better about myself and my work.
It’s not the end of the world if we acknowledge our creative selves later in life, having built a career in another field altogether. Once we do, though, once we let it out the gates, free to run as it will, be prepared for a never-ending journey, but one that feels right. If we don’t honour our creative selves, our lives become a series of short breaths. And don’t most of us really want to breathe deeply, and take in life to its fullest?
I haven’t even met in person, Cecilia Lindblad, author of 
Susan Örnbratt 
